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OIL PAINTING CLASSES
with Celia Gullett
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Susan Harrison-Tustain

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[ Art Materials ] [ Intagilo ] [ Engraving ] [ Lithography ] [ Presses ] [ Relief ] [ Screenprinting ] [ Tools/supports ]
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The optimised and enlarged assortment of Schmincke
aqua-LINOPRINT colours now consists of 15 brilliant shades as well as 3
metallic effect colours (gold, silver and copper) and 3 special mediums
and 1 cleaner. For final treatment on light sized papers we recommend
the Schmincke Universal fixative (Art.-No. 50 401, 400 ml).
The water-based, high-quality aqua-LINOPRINT colours
contain natural binders such as gum Arabic as well as organic/inorganic
pigments. They are easy to apply due to optimum open-times and result in
even, sharp prints with fast drying times (wipe-resistant after approx.
15 minutes).
All colours offer maximum light fastness (4 and 5
stars) and an excellent intensity (especially black). The formulation
for the colours in tubes and jars is the same. Due to its fluid
consistency all aqua-LINOPRINT colours can easily be applied on
different surfaces such as paper, felt, cardboard and suit also for wood
engraving and printing with various materials.
The smooth colours are of pleasant odour and can be
overprinted with other colours. They are intermixable, ready to use and
can be diluted with water. Printing blocks and working tools can easily
be cleaned with LINO clean (Art.-No. 50 903) and/or water. All 18
colours are available in tubes of 35 ml, 15 colours come also in 120 ml,
black and 6 other shades in plastic jars of 250 ml.
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Caligo Safe Wash RELIEF INKS are oil-based but they can be washed
away safely with liquid hand soap and water. You don't need solvents to
clean up these inks. They are suitable for all types of Relief or Block
Printing, for example Woodcut and Wood engraving, Lettrpress and
Linocut.
This range are made with a small amount of driers ( less than 1 %) If
you want faster drying rates, you can add a small amount of cobalt or
manganese driers.
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| Vanson

RUBBER BASE INKS: RUBBER BASE PLUS
RUBBER BASE PLUS®
• For uncoated papers
• For all plate systems
• Conventional or integrated
dampening systems
• Will not skin in the can or on the press
• Ideal for thermography, forms and
envelope printers
• Immediate setting
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| Saukra

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Speed ball Block Printing Inks
Speedball’s Water Soluble Block Printing Inks come in 15 brilliant
colors available in 37cc, 150cc tubes. These inks are easy to
clean up with water, non-toxic, gluten free and super for printmaking
with linoleum, wood, Flexible Printing Plate, Speedy-Carve™, Speedy-Cut™
and Polyprint. All Speedball Inks are AP Non-Toxic and are excellent for
use in the studio, school or home.
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Derivan
This block printing ink has the perfect consistency
for lino and wood block printing, and transfers onto paper. It is
non-toxic, water-based, and washes up easily in water.
Derivan developed this unique product for art and craft courses to give
people a premium quality block printing ink that did not contain harmful
solvents. Derivan Block Ink is therefore non-toxic and easy to clean up,
while still giving the feel of a professional-grade oil-based printing
ink.
Derivan Block Ink is available in open mouth 250ml jars.

Block Ink Medium & Extender is a versatile medium
which can be used in two ways to create fantastic relief prints.
Add to Derivan Block Ink colours to extend the colour and make them more
transparent without loosing the "body" of your paint, as it would happen
if you only added water. Just add from 1:9 to 9:1 ratio of Block Ink
Medium & Extender to Derivan Block Ink colour. Up to about 1:1 ratio the
colour will be extended, after this the colour will start to become more
transparent, or
Add Matisse Structure Acrylics colours to the Block Ink & Extender to
create block printing ink from the paint. A ratio of 1:1 Block Ink
Medium & Extender to Matisse Structure Acrylic paint colours is
recommended.

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| Gamblin Relief Inks
Gamblin Relief Inks are formulated for all relief techniques, including
woodblock, linocut, monotype, and Solarplate. They contain the right
amount of stiffness and tack to hold fine detail yet spread evenly on
the block or plate. The palette of ten colors is designed to give
artists intense pure pigmented colors straight from the jar, along with
a wide range of color mixing capabilities.

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