Parkers Sydney Fine Art Supplies
Acrylics
New Masters Artist Acrylics
Metallic and Iridescent
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NEW |
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MASTERS |
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NAME |
SIZE |
PRICE |
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GLOSS MEDIUM |
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Standard Gel Medium Gloss |
500ML |
$30.90 |
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Soft Gel Medium Gloss |
500ML |
$30.90 |
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Heavy Gel Medium Gloss |
500ML |
$30.90 |
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High Build Gel Medium Gloss |
500ML |
$30.90 |
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Super Heavy Gel Medium Gloss |
500ML |
$30.90 |
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Acrylic Medium Gloss |
500ML |
$29.20 |
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Acrylic Medium Gloss |
1000ML |
$40.90 |
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SATIN MEDIUM |
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Standard Gel Medium satin |
500ML |
$30.90 |
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Soft Gel Medium Satin |
500ML |
$30.90 |
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Heavy Gel Medium Satin |
500ML |
$30.90 |
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High Build Gel Medium Satin |
500ML |
$30.90 |
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Super Heavy Gel Medium Satin |
500ML |
$30.90 |
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Acrylic Medium Satin |
500ML |
$29.20 |
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Acrylic Medium Satin |
1000ML |
$40.90 |
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MATT MEDIUM |
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Standard Gel Medium Matt |
500ML |
$30.90 |
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Soft Gel Medium Matt |
500ML |
$30.90 |
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Heavy Gel Medium Matt |
500ML |
$30.90 |
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High Build Gel Medium Matt |
500ML |
$30.90 |
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Super Heavy Gel Medium Matt |
500ML |
$30.90 |
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Acrylic Medium Matt |
500ML |
$29.20 |
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Acrylic Medium Matt |
1000ML |
$40.90 |
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MEDIUMS |
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Pearlescent Tinting Gel Medium |
500ML |
$32.55 |
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Silkscreen Paste |
500ML |
$16.60 |
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Acrylic Glazing Medium |
1000ML |
$40.90 |
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Retarder Gel Medium |
500ML |
$29.20 |
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VARNISH |
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UV Resistant Varnish Satin |
500ML |
$43.40 |
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UV Resistant Varnish Gloss |
500ML |
$43.40 |
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UV Resistant Varnish Matt |
500ML |
$43.40 |
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UV Resistant Varnish Satin |
1000ML |
$64.55 |
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UV Resistant Varnish Gloss |
1000ML |
$64.55 |
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UV Resistant Varnish Matt |
1000ML |
$64.55 |
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GESSO |
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Gesso White |
500ML |
$23.35 |
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Gesso Black |
500ML |
$23.35 |
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Gesso White |
1000ML |
$34.25 |
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Gesso Black |
1000ML |
$34.25 |
| New Masters acrylics | ||
| Size | Size | |
| Series | 60ml | 250ml |
| A | $12.45 | $31.00 |
| B | $16.70 | $44.85 |
| C | $20.95 | $55.80 |
| D | $22.20 | $64.15 |
| E | $25.70 | $74.40 |
| F | $28.05 | x |
| (Metallic) M | $16.80 | x |
In 1998, the chemists at Old Holland started research in the area of classic acrylic paint colours and mediums. It was a long-held dream of the late owner of Old Holland, Professor Theo de Beer, to develop an acrylic paint good enough to carry the 'Old Holland' name. He called the project 'New Masters' because, as with the Old Holland oils which were used by the old masters, the Old Holland acrylic paint would be used by the new masters of art.
The Old Holland research laboratory thoroughly tested more than 250 pigments and many different mediums before a selection was made of only the best available of these, irrespective of the cost, which were incorporated into the series. In contrast to the many major producers of acrylic paints, Old Holland chose a 100% pure acrylic medium from a product-oriented European manufacturer above the more obvious resins available worldwide. While more expensive, this choice adds a unique characteristic to the New Masters, unequalled by its competitors. In other words, as the world's first producer of oil paint, Old Holland is rightly proud of the fact that New Masters Classic Acrylics have the same characteristics and texture as Old Holland's oil paint.
New Masters
Classic Acrylics:
mediums, primers, gels, varnishes
Gel mediums
All
gel mediums can be mixed with New Masters Classic Acrylics and New Masters
Mediums in the appropriate quantities to achieved
the desired result.
As the New Masters Classic Acrylics
are based on a unique acrylic binding agent system, we advise you to test
before mixing with an acrylic paint, or a medium from a different
manufacturer.
900 Standard gel medium gloss
A glossy gel with the same viscosity as that of the New Masters Classic Acrylics.
901 Soft gel mediums gloss
A glossy gel with a more fluid viscosity than that of the New Masters Classic Acrylics.
902 Heavy gel medium gloss
A glossy gel with a thicker viscosity than that of the New Masters Classic Acrylics.
903 High build gel medium gloss
A glossy gel for the impasto painting technique: for acquiring a paint layer with a heavy structure.
This High Build Gel is semi-opaque.
910 Standard gel medium satin
A satin gel with the same viscosity as that of the New Masters Classic Acrylics.
911 Soft gel medium satin
A satin gel with a more fluid viscosity than that of the New Masters Classic Acrylics.
912 - Heavy gel medium satin
A satin gel with a thicker viscosity than that of the New Masters Classic Acrylics.
920 Standard gel medium matt
A matt gel with the same viscosity as that of the New Masters Classic Acrylics
921 Soft gel medium matt
A matt gel with a more fluid viscosity than that of the New Masters Classic Acrylics.
922 Heavy gel medium matt
A matt gel with a thicker viscosity than that of the New Masters Classic Acrylics.
923 High build gel medium matt
A matt gel for the impasto painting technique: for acquiring a paint layer with a heavy structure. This High Build Gel is semi-opaque, and contains
930 Acrylic Pearlescent Tinting Gel Medium
A universal pearlescent gel. For best results, add 20% acrylic paint and mix to an even paste.
970 Retarder gel medium
A gel for slowing the drying time, with the same viscosity as that of the New Masters Classic Acrylics. Keeps the colours open and clear Add a maximum of 10% to the acrylic paint
Mediums
All mediums can be mixed with New Masters Classic Acrylics and New Masters
Mediums in the appropriate quantities to achieved the desired result.
As the New Masters Classic Acrylics are based on a unique acrylic binding
agent system, we advise you to test before mixing with an acrylic paint, or
a medium from a different manufacturer.
960 Acrylic medium gloss
a glossy medium without thickener for increasing the fluidity of the acrylic paint. can be mixed with New Masters Classic Acrylics in any desired quantity. dries as a durable transparent film
961 Acrylic medium satin
a satin medium without thickener for increasing the fluidity of the acrylic paint. can be mixed with New Masters Classic Acrylics in any desired quantity. dries as a durable satin film
962 Acrylic medium matt
a matt medium without thickener for increasing the fluidity of the acrylic paint. can be mixed with New Masters Classic Acrylics in any desired quantity. dries as a durable matt film
963 Acrylic glazing medium
an ideal medium for the glacis painting technique with the New Masters Classic Acrylics
950 Acrylic silkscreen paste
a universal screen printing medium
Varnishes
All varnishes
increase the chemical and physical resistance, and protect against
ultraviolet light.
The varnishes improve the colour intensity and increase the durability of
the painting.
Ensure that the surface to be treated is clean.
Apply using a suitable varnish brush.
The varnishes contain a petroleum distillate.
Do not dilute the varnishes, or mix with water.
Dried varnish can be removed with white spirit.
Clean materials immediately after use using white spirit.
980 UV Resistant varnish gloss
a glossy removable
painting varnish on a basis of cyclohexanol
981 UV Resistant varnish satin
a satin removable
painting varnish on a basis of cyclohexanol
982 UV Resistant varnish matt
a matt removable painting varnish on a basis of cyclohexanol
Primers
990 Gesso White
a universal white lightfast primer for carriers such as canvas, cotton, paper, stone, etc. can be diluted with a maximum of 20% water. can be applied in multiple layers, with 3 to 4 hours drying time between the layers. suitable as primer for acrylics, oils, watercolours and egg tempera. can be mixed with all New Masters Classic Acrylics colours.
991 Gesso Black
a universal black lightfast primer for carriers such as canvas, cotton, paper, stone, etc. can be diluted with a maximum of 20% water. can be applied in multiple layers, with 3 to 4 hours drying time between the layers. suitable as primer for acrylics, oils, watercolours and egg tempera. can be mixed with all New Masters Classic Acrylics colours.
(Prices are subject to change with out notice)
Copyright: Parkers Sydney Fine Art Supplies Pty Ltd 2007
Cnr Argyle & Cambridge Street, 3 Cambridge street, The Rocks, Sydney, NSW. 2000. Australia. Tel: (02) 9247 9979 Fax: (02) 9252 3706 parkersartsupplies@aapt.net.a