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ARA Acrylics Golden Acrylics New Masters Acrylics More acrylics

More Acrylics Below

 

Atelier Absolute Matt
Size    

Series

40ml 250ml  
1 $5.25 $15.70  
2 $5.90 $21.30  
3 $7.65 $29.90  
4 $11.55 $35.00  
5 $14.15 $44.65  
6 $24.00 $80.65  
       

Atelier Interactive 
 
Size      
Series 80ml 250ml 1LTR   
1 $7.25 $16.30 $48.80  
2 $8.20 $22.10 $66.35  
3 $10.55 $31.00 $93.10  
4 $13.90 $42.50    
5 $18.80 $55.75    
6 $25.00 $74.25    
       

Jo Sonja
     
Size      
Series 75ml 250ml 1LTR   
1 $5.95 $14.95 $53.65  
2 $8.90 $25.60 $92.35  
3 $11.15 $32.00    
       

Matisse Structure and Flow
Size      
Series 75ml 250ml 500ml 1LTR
1 $7.00 $14.30 $24.10 $43.75
2 $8.45 $18.70 $31.90 $55.00
3 $10.65 $31.90 $50.50 $82.50
4 $12.90 $37.30 $67.10 $116.60
5 $12.90      
6 $21.90      
7 $27.50      
       

Finity
     
Size      
Series 37ml      
1 $7.15      
2 $8.70      
3 $9.70      
4 $16.95      
       

Akademie
     
250ml      
Series $24.15      
       

A2
       
Size      
120ml 250ml 1LTR  
Series $8.15 $13.55 $38.00  

Neither a gouache nor an acrylic, it opens up totally new areas for exploration
· It dilutes delicately for washes.
· It can be built up in layers.
· It remains workable for as long as it is kept moist, because it does not form a skin as it dries (a water atomiser keeps it workable).
· It is very aesthetically pleasing to use for anyone who likes water based media effects, but has the advantage of being overpaintable for alterations or subtle layering effects.
· It is totally unlike acrylics to work with, yet it has the acrylic sturdiness and flexibility to permit large major works on paper or canvas, or it can be used for the smaller “works on paper” which many painters like to show with other larger works.
· It is ideal for outdoor sketching, even in difficult dry Australian conditions, provided that a stay-wet palette is used.
Click for
AM Colour chart


Unlike traditional acrylics, all 75 of these “interactive” colors do not suddenly form a skin. Interactive changes the painting process, giving you plenty of time to blend and rework and giving you more creative freedom. The patent-pending formulation allows even touch-dry paint to be reworked or ragged-off to blend or reveal layers. Archival quality and lightfast, the intense colors dry to a satin-like finish without a plastic look or feel and minimal color shift.

Click for Interactive Colour chart

Atelier Slow Medium

Is the most useful medium for extending drying time. Very useful when painting large works because it gives an artist time to work without the paint drying too fast. It also allows thinly applied paint to remain workable. Even paint which feels dry to the touch can be reactivated with water for reblending techniques. Especially recommended for anyone who has trouble getting used to using the water spray.

Atelier Clear Painting Medium

Can be used to prevent runs in diluted paint applied vertically on an easel. It is used with the paint to dilute the viscosity and blend colours. This medium allows paint to spread over a surface for more blendable gradations of colour and fast glazing techniques.

Atelier Fast Medium/Fixer

Used to fix layers of paint fast especially when wanting to achieve multiple layers of glazing. Also useful when you want to reinforce a tender layer in preparation for scratch back and scraping techniques. Returns Interactive to a more conventional acrylic.

Atelier Unlocking Formula

Allows artists to reopen a paint layer even after being touch-dry. Once the paint is reopened, new paint can be blended back in, existing paint edges can be feathered or whole sections can be removed with a rag. Can also be used to further extend wet blending time.

Atelier Retarder

Atelier Slow Medium should used with Interactive. Retarder should, in our experience, only be used as a 10% addition to your water spray in extremely dry conditions.


A2® Art Students' Acrylics are specially designed for the needs of students, beginners or hobby painters who wish to avoid the expense of buying artists colours, especially during the earlier stages when they are learning how to handle paint.

Click for A2 Colour chart

 


Structure Formula

Matisse Structure Formula is a rich impasto paint that artists love. Available in 66 colours, Matisse Structure Formula paint is ideal for application with a brush or palette knife for striking textured effects, or combined with the range of Matisse Mediums for exceptional flexibility of application and finish.

Click for Structure Colour chart

Matisse Flow

Matisse Flow Formula has all the attributes of the Structure Formula; however, it has a thinner viscosity to allow free flowing brushstrokes or use through an airbrush (with minimal dilution). This allows the paint to be used for fine brushwork with or without water dilution. This paint gives a fine flow with a low-sheen finish and good levelling.

Click for Flow Colour chart

 

MATISSE MEDIUM

BRIEF OVERVIEW

MM1 Drying Retarder
 
Slows the drying when added to Matisse Colours
MM2 Impasto Mediums Paint Matisse Colours over Impasto when dry or mix Impasto with Matisse Colours for high build relief
MM3 Surface Tension Breaker
 
Add with water to Matisse Colours for Airbrush or Watercolour techniques
MM4 Gel Medium
 
Dries clear or mix with Matisse Colours to give a 3D high gloss glaze
MM5 Matt Medium
 
Add to Matisse Colours to achieve a matte sheen/finish
MM6 Polymer Matt Varnish (water-based)
 
Use as a final varnish or can be mixed with Matisse Colours. Non-yellowing matt finish
MM7 Polymer Gloss varnish (water-based)
 
Use as a final varnish or can be mixed with Matisse Colours. Non-yellowing high gloss finish
MM8 Spreader Medium
 
Add to Matisse Colours to achieve washes and glazes
MM9 Acrylic Painting Medium
 
Use to increase binder content of Matisse Colours when reducing them with water
MM10 Artist Quality Gesso
 
A full bodied permanent, flexible primer for use on canvas, paper, board or wood for paintings in acrylics or oils.
MM11 Satin Varnish (polyurethane)
 
Water-based Polyurethane varnish with a non-yellowing hard wearing satin finish (for use on rigid surfaces only)
MM12 Clear Sealer
 
Use for sealing very porous surfaces such as terracotta or as a tannin blocker for "green" wood.
MM13 Fabric Fixative
 
Mix equal parts with Matisse Colours to produce a fabric paint which when heat set will adhere to most fabrics
MM14 High Gloss Varnish (turps-based)
 
Conservation quality solvent based non-yellowing acrylic gloss finish varnish. Redissolves in turps to strip and clean or to rework.
MM15 Matt Varnish (turps-based)
- 250ml
Conservation quality solvent based non-yellowing acrylic matt finish varnish. Redissolves in turps to strip and clean or to rework.
MM16 Faux Finish & Marbling Gel
 
Also known as scumble glaze. Mix with Matisse Colours to slow drying time and extend the paint to achieve transparent glazes.
MM19 Poly-U-Gloss Varnish (polyurethane)
 
Water-based Polyurethane varnish with a non-yellowing hard wearing high gloss finish (for use on rigid surfaces only)
MM20 Water Based Patina
 
Use in conjunction with Matisse Colours to give an antiqued or patinaed effect
MM22 Print Paste
 
Mix with Matisse Colours to achieve brilliant transparent prints when screen printing. Slows drying time and extends colour
MM24 Iridescent Medium
 
Mix with Matisse Colours to achieve lively ireidescent effects
MM25 Black Gesso
 
A full bodied permanent, flexible primer for use on canvas, paper, board or wood for paintings in acrylics or oils.
MM26 Transparent Gesso -
 
Is a clear gesso which may be mixed with matisse backgroung colours to produce "coloured gessos" or "pastel primers"
MM27 Low Viscosity Gesso A low viscosity alternative gesso for artists who want to brush straight from the jar.
MM28 Polymer Satin Varnish
 
Use as a final varnish or can be mixed with Matisse Colours. Non-yellowing satin finish.
MM29 Final Varnish Satin Finish
 
Conservation quality solvent based non-yellowing acrylic satin finish varnish. Redissolves in turps to strip and clean or to rework.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jo Sonja

Jo Sonja's Artists' Colours are formula acrylics offering the opacityof colour and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured.
Jo Sonja's Artists' Colours have been designed specifically to meet the needs of artists who not only demand the finest quality pigments,but are concerned about the longevity of their work and require apainting system with truly unlimited applications.
Jo Sonja's Artists' Colours also have wonderful fine art applications, such as painting on canvas, airbrushing, wildfowl art, and watercolour techniques. Illustrators enjoy the fast drying times and the matte,velvet finish
.

 


 

Artists' Acrylic Colour is our finest quality acrylic range and benefits from our experience of colour making for over 170 years. Artists' Acrylic has a wide spectrum of 74 colours which offers an exceptional brilliance and intensity of colour thanks to maximum pigment strength.  The colours have minimal shift between wet colour and dry colour, remain workable longer than other acrylics and dry to a more uniform satin finish.

Click for Finity Colour chart


Akademie (Extra Heavy)

 

Click for Schmincke Colour chart

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 (Prices are subject to change with out notice)         

 Copyright: Parkers Sydney Fine Art Supplies Pty Ltd  2007

Cnr Argyle & Cambridge Street, 3 Cambridge street, The Rocks, Sydney, NSW. 2000. Australia. Tel: (02) 9247 9979  Fax: (02) 9252 3706   parkersartsupplies@aapt.net.a